by Daniel Brouse
I approach the realm of spirituality with caution for a few key reasons, primarily what I refer to as the “crutch” issue. It is easy for people to become overly dependent on a medium, or for the medium themselves to misuse their position of influence. This imbalance often leads to exploitation or a lack of personal growth. I hold significant concerns about paid mediums, such as ministers, preachers, and psychics, who act as intermediaries between individuals and their spiritual paths. These “middlemen” are not only unnecessary but often find it difficult to resist corrupting the process, whether consciously or unconsciously. If I had to articulate my perspective, I would say that (Practical) Kabalah comes closest to describing my approach to spirituality.
To provide a relatable example, let me draw a parallel from my experiences as a musician and songwriter. I have collaborated with thousands of musicians worldwide, and almost all of them have demonstrated an ability to reach a state comparable to, or even an actual, “out-of-body” experience through their craft. Many of these musicians dedicate countless hours to lessons and rigorous practice, often reaching this heightened state only in group settings surrounded by others who share their focus and energy. While this approach works well for them, my process is fundamentally different.
I rarely, if ever, rely on formal practice or specific techniques. For me, music creation is a constant, fluid process. I simultaneously compose multiple parts of different songs while remaining fully present in the moment. To offer a comparison, my son excels at video games and can compete with top-ranked players globally while holding a normal, engaging conversation with me. Similarly, my mind operates on multiple trajectories, allowing me to create and refine music organically.
I write, play, record, and produce multiple instruments live, extemporaneously, while auto-writing the music and lyrics. The finished product requires no editing, mixing, or additional post-production. Over the past several decades, I have consistently produced and published thousands of songs annually. These songs are crafted with a unique purpose: to resonate deeply with listeners and help them transcend the barriers between the real and spiritual worlds. My publishing company, The Philadelphia Spirit Experiment, embodies this mission. As of my last check, I hold more copyrights than any other individual globally. This distinction is not something I highlight out of pride but rather as a testament to my uniqueness. I recognize that this ability is rare and not something I fully understand.
This multifaceted creative process mirrors my spiritual practice. I conduct what I call spiritual symphonies throughout the day and night, engaging in multiple astral trajectories while simultaneously maintaining my presence in the real world. I don’t know how many others share this ability, but it seems that most require “crutches” such as meditation or structured practice to reach even a fraction of this state. My intention is not to suggest that anyone should model themselves after me, as the chances of replicating this approach are slim. Instead, my goal is to encourage others to find their own paths and methods, recognizing that each journey is as unique as the individual undertaking it.